
Here's a new piece from the pinhole, and the first one to be posted on the blog. The photograph was made two weeks ago on the first warm day of Spring at IMA. As always, click on the photograph to enlarge.


Opening March 31, Irvington's Bona Thompson Memorial Center hosts the exhibition, “Variations, A Gathering of Photographic Ideas.” Presenting new works are K.C. Ferrill, Craig McCormick, Joel Butler and myself. The exhibit runs through May 16.
I appreciate the opportunity afforded to me by Ginny Taylor Rosner to be included in this exhibition of fine photographic artists. The suite of six photographs that I am showing reflect the present day’s political and economic climate and the corresponding search for inner spirituality. The photographs are nailed into pine frames handmade by Ed Satchwill II. It is exciting to be a part of an exhibition in such a historically significant building as the Bona Thompson Memorial Center.
An artist's reception will be from 5:30 to 8 p.m. on April 9, where the photographic artists will be available to discuss their new work.
The exhibition is sponsored by the Irvington Guild of Artists, INvision: Alliance of Photographic Artists and the Irvington Historical Society.
For additional information call Ron Kern at (317) 507-7888.
Bona Thompson Memorial Center
5350 University Avenue
Indianapolis, Indiana 46219
(317)353-2662
Hours of the Exhibition
First Fridays, April 2 and May 7, 5:30 - 8 p.m.
Wednesdays 1 - 3 p.m.
Saturdays and Sundays 1 - 4 p.m.
and by appointment
The location of the exhibit is on University Ave. just west of S. Downey Ave.


Here's a new Holga image. It is entitled "High Treazon." As always, click on the image to enlarge.
This is a new piece that I've been working on for the last week. Click on the photograph to enlarge. 
My wife, Satch, has a new exhibit.
Opening March 1 at Henry's On East Coffee Bistro in the Mass Ave District in downtown Indianapolis, artist Satch presents new work from her series, “Below Here Lies Nothing.” Featuring thirteen paintings and seven assemblages, the exhibit runs through March 31.
Fresh from the 2009 group exhibit Postcards from Dystopia at Nolia's Gallery in London England, Satch has been busy creating paintings by "re-purposing" canvasses and constructing assemblages that recycle vintage ephemera and discovered objects.
"I am excited to be exhibiting at Henry's. This is a terrific chance for a great many people to experience my work," Satch said. "The work from my new series, "Below Here Lies Nothing," a pun that refers to repurposing canvasses, examines human relationships - how we feel about, speak of and live with each other."
An opening reception will be from 6 to 10 p.m. on First Friday, March 5, where Satch will be available to discuss her new work.
For additional information call Ron Kern at (317) 507-7888 or visit http://satch-artist.com
Henry's On East Coffee Bistro
627 North East Street
Indianapolis, IN 46202
(317) 951-0335
Monday through Thursday 7 a.m. - 7 p.m.
Friday 7 a.m. - 10 p.m.
Saturday 8 a.m. - 9 p.m.
Sunday 8 a.m. - 4 p.m.
(Image - "I Am Available," Mixed Media, 2'x3' ©Satch 2010)
I have been photographing this sign for many years. This Holga triptych is the best one yet. This sign has been well maintained for all of the years that we have been visiting Saugatuck, so somebody is very committed to getting this message across to all of those that pass by.
Here's a departure from the plastic camera images. Satch found some forgotten digital files.
Starting on a new project. More information will be coming in the future. Here's a work photo from the project.
Another recent portrait from IMA. No alteration or additions from photoshop on this one. Again, click to enlarge.
Here's a portrait of Satch with the Holga at one of IMA's European galleries. I had some fun with photoshop and made the environment surreal. The holes in the bottom of the boots are real. Click on photo to enlarge.

I am thrilled that Satch was chosen to produce a work for this exhibit:
Opening with a private reception on December 3 Nolias Gallery in London England presents "Postcards from Dystopia," an international exhibition of thirty artists presenting visions of a menacing universe with a collection of postcard sized works. This group exhibit is in conjunction with a showcase of larger paintings of ominous dystopian territories by Tutte Newall and Andrew Hladky. The exhibition runs through December 21.
In May Carmel artist Satch was selected to produce a work for the exhibit. Her work entitled, "Unknown Pleasure" depicts the long lost pleasure of conceiving and bearing a child into the world. Re-population has been replaced with a surgical procedure and all women eventually become barren. It is an assemblage including a vintage wood box, nails, assorted paper and a commercial hair trimming attachment.
Dystopia is a futuristic or imagined territory where a universal menace prevails. Our present culture holds a fascination with the concept of our own ordered civilization's collapse into chaos. Curated by Tutte Newall, 'Postcards from Dystopia" explores this idea by delving into the realms of the imaginary and issuing visions from a dystopian and desolate environment.
Located in Bankside at 60 Great Suffolk Street, London SE1 0BL, Nolias Gallery is just five minutes from Tate Modern.
For additional information contact Satch via email, Satch@indy.net and visit her website, http://satch-artist.com where the work, "Unknown Pleasure" can be viewed.
This photograph was made on a recent trip to Bloomington, Indiana where Satch and I took in an amazing Bob Dylan show.
This photograph was made in Noblesville, Indiana using the shape and form of silos along with an afternoon of incredible light.
Greater Faith House of Prayer, Central Avenue, Indianapolis. I had been looking to make this photograph for at least the last year. On this sunny afternoon, everything was just right.
Taken in the rain looking into the sun which was veiled with cloud cover - an elevated gasoline advertising sign from an abandoned truck stop on a Michigan highway.
Thunderstorm and Moonrise over Angel Fire, NM
Artist Statement
The photographs in the exhibit are singular images. They were made in reaction to a place (physical or mental), an environment, or an opportunity. They were not made as a part of a body of work.
Some images were made in a moment’s notice, even out of the car window. Some images were thought out as an expression of what I was feeling or thinking about. Some images were made when an opportunity presented itself to record a frozen instant of time. Some images were made when I wanted to look beyond the obvious characteristics and form of a subject.
The graffiti photographs were made several ago years on a beautiful sunny day at an abandoned water tank in rural New Mexico. While going through my archive, these images made an impression on my wife, Julie, and me. She felt that there was a concept waiting to be harvested. In the past, we have both made images of graffiti. Typically we use a smaller detail out of a larger scene for the subject. This same concept was applied to the two photographs of graffiti - the larger scene is broken down into smaller singular images.
The installation concept of the exhibit was created, designed and implemented by Julie Kern of Satch Art Studio.
The graffiti photographs were made with a 4”x5” Crown Graphic. All other photographs were made with a Diana+ or a Holga, both plastic cameras. The photographs are archivally printed on Museo Silver Rag paper.
Enormous thanks to Robert Lebow, M.D., Steve, Shannon, Greg, Michael and everybody at Midland for making this exhibit possible. Special thanks to Johnathan for placing exhibit postcards all over downtown Indianapolis.
Ron Kern
September 2009



As previously mentioned, I have quite a bit of work from the last year to go through.
Here's a sequence of Lake Michigan on which I've been working - from our last trip up in July. Mike, I know you will want me to explain what I am trying to express, but I'll wait until we again meet to discuss this with you and Karen. My guess is that Karen will see it immediately, but her focus is so much better than mine.
Here's more new work. These photographs were made in Nashville and Beanblossom, Indiana a couple of weeks ago.
2 Photographers Works In Progress
About My Work:
Having studied the art of photography for over twenty five years, I am a self taught photographic artist. My main influences are Robert Frank, David Michael Kennedy, Aaron Siskind, and Ed Ruscha.
I aspire to discover and reveal the spiritual essence and truth of my environment. For me, photography is a vital element of life; it is esoteric and abstract, yet temporal and existent.
Anything at any time can be subject matter. Often I make images as a reaction to the environment in which I find myself or to something that I observe by looking beyond the obvious characteristics and form of a subject, either instantly or over a period of time.
For my current work I use Holga and Diana+ (plastic cameras), panoramic pinhole, Polaroid and Leicaflex SL cameras to create my images. Film is exposed in the camera, the developed negatives are digitally scanned and then printed with an inkjet printer using archival pigment inks.
I am also gleaning and printing photographs from my archive (prior to beginning work with plastic cameras) of images made with conventional film cameras.
Click on images to enlarge
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