Sunday, February 27, 2011
Indiana Small Towns Project
On my website I have posted the Indiana Small Towns exhibition from this past January at The Harrison Center for the Arts!
Saturday, February 26, 2011
Stutz Exhibit Pt. II
So Satch says that I am not allowed to post anything else showing the piece, which now has a title - "Life in the Present Connected to the Past."
She would like everybody to see the piece during the exhibit's opening at the Stutz this coming First Friday. (Scroll down to see updated description of the piece.)
She would like everybody to see the piece during the exhibit's opening at the Stutz this coming First Friday. (Scroll down to see updated description of the piece.)
Tuesday, February 22, 2011
Monday, February 21, 2011
Social Currency, The Shared Photograph
Stutz Art Space - Opens First Friday March 4, 5 to 9 p.m.
Satch and I are collaborating on a piece for the Stutz Art Space exhibit, Social Currency, The Shared Photograph, curated by Andy Chen.
Intertwining historic carte de visites and cabinet cards with contemporary portraits from Facebook, together with other contemporary and historical elements, the piece compares and contrasts the historical and contemporary use of portraits as a means to develop social currency.
A recent self-portrait of Ron made with a Polaroid SX-70 was scanned and then printed, combining the two historical modes of photography, analogue and digital. This photograph is displayed next to a red velvet Victorian photograph album cover featuring a mirror. By looking into the mirror the viewer may create their own transitory self-portrait enabling them to become a part of the piece. Encased by a computer screen frame these two elements of the piece are mounted onto an easel. The easel would have presented an album of carte de visites and cabinet cards in a prominent place in the Victorian home.
The intertwined photographs are shown in an accordion-like manner so that when viewers are looking at the various photographs they will be somewhat facing each other, rather than simply standing next to each other. The hope is that this will engender viewer interaction that will create social currency.
I will be updating the blog with more information as we get closer to the exhibit. Below is the conceptual sketch for the piece.
Satch and I are collaborating on a piece for the Stutz Art Space exhibit, Social Currency, The Shared Photograph, curated by Andy Chen.
Intertwining historic carte de visites and cabinet cards with contemporary portraits from Facebook, together with other contemporary and historical elements, the piece compares and contrasts the historical and contemporary use of portraits as a means to develop social currency.
A recent self-portrait of Ron made with a Polaroid SX-70 was scanned and then printed, combining the two historical modes of photography, analogue and digital. This photograph is displayed next to a red velvet Victorian photograph album cover featuring a mirror. By looking into the mirror the viewer may create their own transitory self-portrait enabling them to become a part of the piece. Encased by a computer screen frame these two elements of the piece are mounted onto an easel. The easel would have presented an album of carte de visites and cabinet cards in a prominent place in the Victorian home.
The intertwined photographs are shown in an accordion-like manner so that when viewers are looking at the various photographs they will be somewhat facing each other, rather than simply standing next to each other. The hope is that this will engender viewer interaction that will create social currency.
I will be updating the blog with more information as we get closer to the exhibit. Below is the conceptual sketch for the piece.
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| Conceptual Sketch |
| Satch constructing the piece |
Thursday, February 17, 2011
Saturday, January 29, 2011
Two New Projects And Their Inspiration
Currently I have seven projects that are all good ideas and need to be pursued. Over this last week a couple of events crystallized the direction that I have chosen - I am going to concentrate on two projects.
The first one is a continuation of a new direction that I am very excited about. The second project is an expansion of a past inspiration and direction - I will be pulling out an old camera and putting it back in service.
The inspiration for these two projects come from different paths. The first project is inspired by the discovery of an interior element within an existing photograph and my ongoing study of light and how it reacts within simple forms.
The second project is inspired by my nephew's extraordinary poetry and Matt LaFary's and Angi Skaggs' exploration of various vintage film cameras. The result of this project will be a collection of small intimate prints.
The Harrison Center for the Arts! exhibit from my archive, Indiana Small Towns Project, will be coming down this next Monday. It was a privilege to exhibit at the Harrison Center and everybody there was and big help and more than a pleasure to work with. Big and Huge thanks to Kyle Ragsdale for showing this work. The Harrison Center show has spurred me on to dig through my archive to find all of the project's photographs. Work is ongoing for an exhibit of the expanded collection.
Peace.
The first one is a continuation of a new direction that I am very excited about. The second project is an expansion of a past inspiration and direction - I will be pulling out an old camera and putting it back in service.
The inspiration for these two projects come from different paths. The first project is inspired by the discovery of an interior element within an existing photograph and my ongoing study of light and how it reacts within simple forms.
The second project is inspired by my nephew's extraordinary poetry and Matt LaFary's and Angi Skaggs' exploration of various vintage film cameras. The result of this project will be a collection of small intimate prints.
The Harrison Center for the Arts! exhibit from my archive, Indiana Small Towns Project, will be coming down this next Monday. It was a privilege to exhibit at the Harrison Center and everybody there was and big help and more than a pleasure to work with. Big and Huge thanks to Kyle Ragsdale for showing this work. The Harrison Center show has spurred me on to dig through my archive to find all of the project's photographs. Work is ongoing for an exhibit of the expanded collection.
Peace.
Saturday, January 8, 2011
First Friday at The Harrison Center for the Arts!
What a great crowd last evening at The Harrison Center for the Arts! Seeing old friends, meeting new friends and having such an excellent opportunity to share my work made for a wonderful and memorable evening.
Congratulations to Tim J. Harmon, all of the participating artists and the patrons for a successful Sign Show which raised money for the Horizon House.
Big and Huge thanks to everybody at The Harrison Center, Kyle Ragsdale, Joanna Beatty Taft and Pam Allee - it is a privilege to exhibit at The Harrison Center for the Arts!

Congratulations to Tim J. Harmon, all of the participating artists and the patrons for a successful Sign Show which raised money for the Horizon House.
Big and Huge thanks to everybody at The Harrison Center, Kyle Ragsdale, Joanna Beatty Taft and Pam Allee - it is a privilege to exhibit at The Harrison Center for the Arts!

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| Crowd at The Sign Show Opening Here's a short video made by Satch |
Wednesday, January 5, 2011
Wednesday, December 22, 2010
Indiana Small Towns Project Exhibit
Opening Janury 7, 2011 at the The Harrison Center for the Arts I will be exhibiting a selection of 13 images from my Indiana Small Towns Project.
From my archive, these images were made between 1992 and 1995. This will be the first time that these photographs have been exhibited.
Writer and poet Karen Stroup has written about the photographs and what they represent. Her writings will be available at the exhibit.
This exhibit is in tandem with the Sign Show. The Facebook event page has all of the particulars regarding The Harrison's Center's January First Friday events.
From my archive, these images were made between 1992 and 1995. This will be the first time that these photographs have been exhibited.
Writer and poet Karen Stroup has written about the photographs and what they represent. Her writings will be available at the exhibit.
This exhibit is in tandem with the Sign Show. The Facebook event page has all of the particulars regarding The Harrison's Center's January First Friday events.
Thursday, December 16, 2010
IMA Andy Warhol Exhibit Opening Party, October 9, 2010
So, I'm a little late in posting some snapshots from the Warhol Opening... ![]() |
| Daniel Axler and Maxwell Anderson |
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| Maxwell Anderson's Shoes |
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| Barkeep |
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| The Party Floor |
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| Party from the VIP Lounge |
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| Empty Coke Bottle and Ealf-Eaten Cup Cake |
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| Andy would be pleased with all of the stuff for sale |
Thursday, December 9, 2010
It's been a while..
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| Click to enlarge |
Monday, November 1, 2010
Day of the Dead 2010 Snaphots and Short Video
I've posted a gallery of snapshots from The Indianapolis Art Center's Day of the Dead Celebration. Again, The Art Center outdid themselves and hosted an incredible community day for the City of Indianapolis.
High quality entertainment, arts and crafts, shrines (inside and out), special exhibits and a great crowd made for a special afternoon and evening. Click on the link above to go to the photographs.
Here's a very short video of the Processional in the Art Park through the outdoor Shrines:
High quality entertainment, arts and crafts, shrines (inside and out), special exhibits and a great crowd made for a special afternoon and evening. Click on the link above to go to the photographs.
Here's a very short video of the Processional in the Art Park through the outdoor Shrines:
Thursday, October 28, 2010
Day of the Dead Celebration
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| Photograph from last year's Shrine Exhibition |
Wednesday, October 27, 2010
Apologies
My apologies for not updating the blog for a while. I have plenty to post but have been busy with new work.
Head over to my website to see some of the new work and I'll try to get busy here on the blog after I catch up on a couple of things.
Peace.
Ron
Friday, October 8, 2010
Sunday, October 3, 2010
Carmel International(?) Art Fair
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| Carmel International Art Fair |
| Head |
Friday, September 17, 2010
Mike and Karen Stroup
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| Mike Stroup with "The Crossing" |
The evening began at Santorini's, a fine Greek restaurant in the Fountain Square area. Karen treated us to a feast of Greek foods fresh from Santorini's kitchen - hummus, Tzaziki, feta, olives, delicious pita bread, etc., etc. We were warmed by the towering flames while the server prepared Saganiki (flaming goat cheese). Karen, Mike and Satch enjoyed a bowl of mushroom soup while I attacked a Greek salad. The meal was finished off with Galaktabouriko, a sweet Greek custard garnished with powdered sugar and cinnamon. This is so good that is almost wrong.
Karen had set up the evening to celebrate Mike's work in the exhibit. We were so pleased to be asked to be a part of it.
Vowing to return in the near future, we bid αντίο to Santorini's and the four of us headed down to the exhibit. The Gallery in the Fine Arts Center is beautifully accomplished. It is a simple rectangular cube, but an inviting, room with high ceilings and excellent lighting. The design of the room makes the exhibited art the focus.
Mike exhibited four pieces, as did the other Invision artists. He chose to show two pairs of photographs. The first pair is from a fair and the second is from a location somewhere in rural America.
The fair photographs are studies in dimension, light and motion and human connection. The rural photographs are studies in, life's choices and journey and mortality.
Mike's contemporary work is full of various emotions. It is thought provoking but in an emotional way that is vague, leading the viewer to introspection. When I say his work is emotionally vague, I mean this in the best possible way. His work isn't "in your face" but it draws one in, evoking emotions that requires one while studying the work to mentally interact with the photographs.
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| The Crossing |
So, big and huge congratulations to Mike and the work he is exhibiting at the 2010 Invision exhibit. He told me that he is continuing to pursue his current direction and will be producing more work in the near future. I will try to patiently wait.
And, big and huge thanks to Karen and Mike for an excellent evening.
I've always been a supporter of Mike and his work and Satch and I deeply value our relationship with Karen and him. In the past I have written about them and how important they have been to me personally and to my work. Here's a link to a past post on my blog. I invite you to please take the time to read it. Thanks.
Sunday, September 12, 2010
Dinner At Fitgerald's - A Very Short Film
I am working on a long post about our Labor Day Weekend in Michigan; but here is a taste in a very short film from Labor Day Night dinner with artist Harry Borgman, gallery owner, Craig Smith and Satch.
Thursday, September 9, 2010
Wednesday, September 1, 2010
Saturday, August 21, 2010
New Series
Here's a screen shot of some working photographs from a series, Beauty Misleading, made this past week. Click on photo to enlarge.And, I have posted some additional new work on my website.
Tuesday, August 17, 2010
IMA's Storage Facility

Satch and I had the unique opportunity to visit the Indiana Museum of Art's art storage area. It was a chance to see that the mission of the museum is much more than simply the exhibition of art work. Preserving the many works is a huge task that is obviously taken more than seriously. Everything is well thought out - organization and cataloging, earthquake protection, fire suppression, visibility without handling the object, etc., etc.

Emily Blyze, Jesse Speight and Satch at IMA
Even though the storage area has expanded over the years, they do need more room. The museum has undertaken a deaccession program that sells items that do not meet the mission of the museum or are duplicates (or very similar) of items already in the collection. The proceeds from that program are used to acquire more art. Jesse Speight, Superintendent of Storage and Packing, commented that the museum’s desire to acquire art is insatiable therefore the future need for additional storage space is continuous.
It was interesting to hear that only a scant 5% of the museum’s collection is on display. I always figured that the museum stored more than it exhibited but that number really surprised me.
Big and Huge thanks to IMA’s Jesse Speight and Emily Blyze, Member and Donor Relations Coordinator, for giving us the opportunity to experience the museum’s storage areas. During the tour Jesse shared some interesting stories about his job and gave us an excellent perspective of this hidden, yet incredibly significant, part of IMA.

Entry to IMA from the underground parking garage
Sidenotes: This opportunity was just another example of how IMA is making sure those interested stay engaged with and learn about all things at the Museum. IMA is the crown jewel of Indianapolis, IMHO. I will write more about how I feel about this in a future post. I will say, for now, that IMA doesn’t seem to be missing a beat in providing the city, and the world for that matter, with a first class museum.

Streams (Digital photograph made at IMA before the storage area tour)
Thursday, August 12, 2010
New Video from Website
Here's a video that shows a series of images as I talk about my artistic vision. You can see a higher quality version on my website.
Monday, August 9, 2010
New Website
I've been working on a new website that will gather all of the galleries of work into one easy to access location - Ron Kern Photographer.
Wednesday, August 4, 2010
Working on a few new photographs

Got out this past weekend while it wasn't so incredibly hot and made a few photographs. This one is from a potential series, "Looking Up at Buildings."
Tuesday, July 20, 2010
New Online Gallery
I have posted a new online gallery for the collection of photographs at the Kellar Mahaney Gallery in Zionsville, Indiana. It is located in the right column below the artist statement.
Time Tunnel Fruit

Still struggling with the Impossible Project materials, but having a little more luck. Click on image to enlarge.
Saturday, July 10, 2010
Saturday, July 3, 2010
Promoting in Zionsville
Satch and I have been very busy promoting our work at the Kellar Mahaney Gallery. Over the past two weeks we have met many new people and received excellent feedback on our work. Lolly, the owner of Kellar Mahaney Gallery is a top notch hostess and has the nicest gallery in Zionsville, IMHO. Zionsville's does have it going on when it comes to their gallery scene and village vibe. Check it out soon
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