Monday, October 24, 2011

Formations 2011, Kewanna, Indiana

Diane Tesler's Studio/Gallery
On this past gorgeous Saturday (October 22, 2011) Satch and I made it to Kewanna to catch "Formations 2011," the annual exhibition that artist Diane Tesler presents in her studio/gallery.

Diane on the Right
We had a nice visit with Diane and Wade Bussert and enjoyed seeing all of the art work.

Wade Bussert with his Paintings and Satch

We also photographed and made a short video at that late artist James Spencer Russell's house.

Musicians Surrounded by Art
Promo Display for the 2014 Russell Exhibit
at the Indiana State Museum
The Late James Russell's House

Wednesday, October 19, 2011

The Genesis of the Exhibition

Style, Elegance and Wit:
The Artwork of James Spencer Russell

January 26, 2014 - July 14, 2014
Indiana State Museum

James Spencer Russell
This is a post about how the Indiana State Museum’s James Russell retrospective came to fruition.

The artist James Spencer Russell of Kewanna, Indiana passed away in November of 2000 leaving over 2,500 pieces of his art in his home.  The work was incredibly varied and was made over the course of his life.

After inventorying the work the estate called upon Dennis Jackson to hold a series of auctions to sell the work.  At the auctions everyone that I spoke with about Russell’s work agreed that it was very, very good.  The art was sold to several collectors and to some dealers.  Among those collectors were Steve Conant and Tom Kuebler, both of Indianapolis.

Some time after the auctions had concluded I received word that the idea of holding a retrospective exhibition was in the works.  Satch and I were really happy to hear of this.  We were excited that arguably one of Indiana’s greatest contemporary artists, James Spencer Russell, who was virtually unknown in his home state, would get recognized and the public would have a chance to experience his art.

Over the past three years, out of his personal collection, Steve Conant has made donations  to the Indiana State Museum of many works by Russell including drawings, small sculptures, paintings and assemblages.  Steve hoped that by having this work in the museum’s collection the Board of Directors would see the quality of the work and would eventually be more likely to consider the exhibition as a worthwhile undertaking.

Thanks to Steve Conant’s slow but steady urging of Rachel Perry, Fine Arts Curator for the Indiana State Museum, to approach the museum’s committees charged with exploring the feasibility of the exhibition, the idea for “Style Elegance and Wit” came to fruition.

Steve then discussed this with Tom Kuebler and subsequently Tom made a trip to Kewanna to meet Wade Bussert, Russell’s close friend, and to see Wade’s collection of Russell’s work and biographical archive.  The connection to Wade Bussert was accomplished previous to this during a visit that Tom and Steve had made to the Midwest Museum of American Art in Elkhart, Indiana.  Brian Byrn, the museum’s curator was aware of the Russell estate and suggested Tom connect with Wade.

Sometime later Steve and Tom visited Kewanna to view Wade’s material which Steve later outlined to Rachel Perry and Chris Krok, one of the people involved the the Indiana State Museum Foundation. This resulted in a third trip to Kewanna by Rachel, Steve and Tom.

Tom Kuebler archived and went through the materials regarding Russell’s estate that he received from its executor and Wade Bussert including many photographs, slides and additional material.  At this point Tom wrote a monograph, which was presented to the Indiana State Museum that contained a brief history of James Russell and photographs of a selection of his art.

The “exhibit process” at the Indiana State Museum involves presentations to two different committees of peers - an “Exhibit Focus Committee” and the “Leadership Team.”  The committees evaluate the feasibility of the exhibition proposal by examining such things as audience, funding, available space, cost of insurance, etc.

Thanks to Rachel Perry’s continued efforts at the Indiana State Museum and the accomplishments of Steve Conant and Tom Kuebler the exhibition has become a reality.

There is a ton of work to be done.  Additional historical materials have been gathered and are being processed.  The next step is to, through historical documentation, reconstitute the incredible life of Indiana artist, James Russell.

By James Spencer Russell
Thanks to Steve Conant for providing a big portion of the information contained in this post.

And, thanks to Rachel Perry for additional details.

Sunday, October 16, 2011

"Photographs That Changed Me" - #2

Redding Woods, Connecticut, 1968, Paul Caponigro
This is part 2 of a series of posts about a selection of photographs that influenced my perspective of photography, or simply inspired me.

Over the years in several locales I've had the opportunity to see and examine many of Paul Caponigro's prints. Over the years I've studied his work via books and because of his book, Seasons: Photographs and Essays, I was inspired to do work with Polaroid materials .

Sometime in the mid 1980's at Photography West Gallery in Carmel, California, I first viewed Paul Caponigro's photograph, Redding Woods, Connecticut, 1968. From across the room it drew me in to explore the depths and spirit of the composition all enveloped in a quality of light that was exhilarating.

This photograph opened my mind to more closely seeing and appreciating nature's abstractions within my environment.

The spiritual essence contained in Paul Caponigro's work always enlivens me and artistically reassures me.

Links to other posts in this series:

Wednesday, October 12, 2011

First Phase Complete - Truth From Perceptions and Changes Coming

As of this evening I have completed the first phase of Truth From Perceptions. There are about 135 photographs from which to cull the exhibit. I have made over 500 negatives during the last nine months. Now the editing begins. In some cases I will be presenting differing perspectives and "contact prints" that will show the process by which I came to the final image.

The work continues as I am exploring the use of Polaroid cameras to make photographs. Some of this work will be shown as well. I will continue to blog about the making of photographs up until, during and even after the exhibit.

This project has caused my thinking about my photography to be more focused and I foresee big changes coming. Final decisions and discussion about these changes will come after the exhibit.

Sunday, October 2, 2011