Thursday, January 19, 2012

"Instant Love" at Mad Art Gallery, Dublin, Ireland and Prism Magazine

(click the poster to enlarge)
As I've posted here in the recent past I have three photographs in an international Polaroid exhibition, "Impossible Love," curated by Karol Liver.

Mad Art Gallery in Dublin, Ireland is hosting this exhibition with support from the Impossible Project.

Because of the success of the exhibition's opening and the interest that it has created, it was immediately extended one week!  The photographs and the live video feed showed that there was a big and enthusiastic crowd at the opening.  (I have just found out that the exhibition has been extended yet again to February 2, 2012!)

Karol Liver also is the editor of the incredible online magazine of fine art photography, Prism.  He has created a Special Edition of Prism in coordination with "Impossible Love" exhibition.

This beautifully designed magazine gathers together all of the exhibited photographers' (plus three additional) thoughts and work into one place.  The resulting presentation is impressive.

The quality of the photography shines through.  The fact that photographers from many different countries are included results in a collection that is multidimensional, original and fresh.

I feel very fortunate to be included in this exhibition along with all of these incredible photographers.  Without extra effort from Karol Liver rescuing my photographs from Customs I would not have had this opportunity to have my work on the wall at Mad Art Gallery.  Big and Huge thanks to him.

Please take the time to view the Special Edition of Prism and experience the excellent work from photographers all over the world that utilize various Polaroid processes to create their art.

I strongly suggest that you view the work in full screen mode where you can easily page through the work.

Here's a direct link to the "Impossible Love" Special Edition of Prism Magazine.  (Please realize that there is nudity in some of the artist's work.)

These are the photographs that are exhibited (click on the photographs to enlarge):
Kewanna, IN

Michigan City, IN

Noblesville, IN

Wednesday, January 11, 2012


For some time now I've alluded to changes that were forthcoming.  So, today I thought I would post the bottom line. 

In the coming days I will write an essay about this decision and Julie and I are considering making a video interview about this and a few other things.

So here is the bottom line:  I am "retiring" from photography and the photography community.  This does not mean that I will no longer be making photographs; I will continue to photograph but in a much more limited and private way.

The last few weeks have been a hoot.  I've been going out with a little bit of a bang thanks to the 2 Photographers Works In Progress Exhibit at Midland Arts and Antiques Market, Mad Art Gallery in Dublin showing some of my new Polaroid work and the effort to save Carmel's grain elevator.

So that's it!

Tuesday, January 10, 2012

Exhibition in Dublin, Ireland

Here's the press release:

Go to this link to download a pdf of the press release.

Carmel Photographer╩╝s New Work Featured in Dublin, Ireland Exhibition

Ron Kern of Carmel, Indiana is exhibiting three photographs in an international exhibition of Polaroid photography, “Instant Love,” at Mad Art Gallery in Dublin, Ireland.

The exhibition, which opens on January 14, is also complemented by a special edition of Prism Magazine, a bi-monthly on-line fine art photography magazine.

The show features over 20 artists from all over the world (Ireland, Australia, USA, Italy, Poland, UK, Czech Rep., Germany) using various instant photography methods. The show is also officially supported by The Impossible Project – the number one manufacturer of brand new instant film for Vintage Polaroid cameras. The show is curated and organized by prism Magazine editor – Karol Liver.

Currently Ron is also exhibiting 54 photographs at Midland Arts and Antiques Market in downtown Indianapolis as a part of the 2 Photographer Works In Progress project. This exhibit is a part of the Indianapolis Downtown Artists and Dealers Association Super Bowl TURF initiative and will be up through February 7, 2012. The three photographs that are in the Dublin exhibition are also at Midland Arts and Antiques Market.

Below is screen resolution copy of “Grain Elevator 1, Noblesville and Ron Kern╩╝s thoughts about his Polaroid photography.

For print resolution files and additional information please contact Ron at or at 317.507.7888.

When photographing I feel and sense the spirit of what I am seeing. The "design" of the subject or scene becomes an integral part of the final composition. I examine and present nature's and/or man's mark, the combination of which is often society's response to my subject. The resulting photograph shows the condition and existence of the subject within a context, literal or metaphorical.

For my Polaroid work I use a vintage Polaroid 420 camera. I make exposures onto Fuji instant color film. I recover a negative from the portion of the film that is typically thrown away. It is digitally scanned, converted to a monochrome image in Adobe Photoshop and printed with an archival inkjet printer.

Ron Kern January, 2012

Saturday, January 7, 2012

The Imminent Demolition of the Carmel Grain Elevator

Contrail, Power Line and AbandonedGrain Elevator, Carmel, IN
(Click to enlarge photographs.)

"Thus we have the American grain elevators and factories, the magnificent FIRST-FRUITS of the new age." - Le Corbusier, Towards a New Architecture, 1927.

A photograph of Carmel's landmark historical grain elevator structure is one of the two anchor images of my project, Truth From Perceptions.  Currently it is in the 2 Photographers Works In Progress Exhibition at Midland Arts and Antiques Market in downtown Indianapolis.

I had also written about the area in a post from this blog dated August 9, 2011.  These photographs were included in that post:

This is a portion of what I wrote about this area:  It was a gorgeous winter day and it was like the sky was playing its own concerto.  The interaction of the natural clouds with the contrails was quite something.  The area where these photographs were made is one that stills reveals Carmel's history as a small town whose livelihood likely revolved around this grain elevator adjacent to the railroad tracks - maybe that is why I'm drawn here so often.

Imagine my surprise when I read on Twitter this past Saturday that it is a done deal that the City of Carmel is going to demolish the grain elevator.  Apparently, technically, it is the Carmel Redevelopment Commission (CRC) that is going to do the deed. According to City documents the CRC requested the Board of Public Works, which consists of the Mayor and two appointees, to write a resolution to demolish the structure.  Apparently that three person Board of Public Works has the power to act on the behalf of the CRC and indeed they did.

From what I've been told from a very reliable source the CRC can do whatever it wants to in this area by virtue of zoning law.  The CRC is an appointed government entity that does not answer to Carmel's City Council and therefore the citizens of Carmel.  And today I found out that they actually are able to encumber the City of Carmel with debt without getting approval from the City Council, ie the Citizens of Carmel.  That was a shocker.

Apparently the Mayor and the CRC have a plan to build an additional water tower straddling the Monon Trail that has fountains or some such thing and rather than consider integrating the grain elevator into the plan they are going to demolish it, again, with no public input.  There are instances where these structures have been reused in various ways.  Being a part of the Arts and Design District I would hope that rather than tear down one of the last historical structures connecting Carmel to its past that the CRC would come up with a more creative solution.  Maybe even ask the public and artists and architects for some ideas.  But recent history shows that Carmel's government likes shiny new things.  Problem is that, not much later, those shiny new things become dull older things that seemed like a good idea at the time.

It was extremely disappointing to see in an Indianapolis Star article Carmel Clay Historical Society's (CCHS) board member Fred Swift easily dismiss this structure as having no historical significance.  Yet in the next breath he makes the case for the structure when he acknowledges that the structure has been a part of Carmel's landscape for ninety years and was one of Carmel's largest employers before Carmel was a "big suburb." Update 2-25-2012 - From an IBJ article it is now known that the CCHS received a $31,000 grant from the 4CDC which is an organization that works as a shadow government entity that disperses Carmel public money with no public input nor oversight.  So it is no surprise that the CCHS has no interest in preserving the grain elevator.

Apparently now that Carmel is a suburb we no longer have any use for our agricultural past.  I expect more than this from an organization that is supposed to be protecting our history outside of local politics.

I find it ironic that the CCHS is housed in, what I'm certain Mr. Swift considers historically significant structures, railroad depot buildings that were repurposed to suit CCHS' needs and are in the shadow of the grain elevator.

Even more ironic is this news story from Current in Carmel; the first two paragraphs are here:

The City Council Monday night approved an ordinance authorizing historic preservation and the creation of a historic preservation commission. 

The ordinance, which passed with a 6-1 vote, was proposed to “provide a means to promote the cultural, economic, and general welfare of the public through the preservation and protection of structures and areas of historic and cultural interest within the City” and to “maintain established neighborhoods in danger of having their distinctiveness destroyed,” among other stated purposes.

Zack Myers of Fox 59 news interviewed me for their story on the demolition of the grain elevator.

I encourage you to read an article about all of this written by Jonathon Haag that can be found on his blog, Innovate Carmel.

Here is a recent letter to the editor of the Indianapolis Star by Jane Oakes:

Maybe we can progress without
tearing down grain elevator

6:41 PM, Jan. 05, 2012

I hadn’t thought about the Carmel Grain Elevator in years, but all of a sudden the story on Wednesday, Jan. 4 (“Eyesore or landmark, elevator’s coming down”) brought back a virtual flood of memories. When I moved to Carmel as a child, there were 771 people living there, as attested by a sign at the south edge of town.

At the Carmel school, all in one brick building at the east end of Main Street, I was in the same class with both Fosters and Kendalls, the families that owned the grain elevator. The Monon Railroad was a large part of the community from the proximity to the grain company to the hook by the large door that snagged mailbags each day. Putting a penny on the tracks was an exciting pastime; I’ll bet if I looked carefully enough I might still have a very thin, flat, smashed penny. Progress does not always mean removing the past. Sometimes it means honoring it through visible memories.

Jane S. Oaks


A fellow grad from Carmel High 1976 had this to say about the grain elevator:

The Carmel Grain Elevator should be preserved as a historical landmark... Even as the town moves forward, and the landscape through the years has changed, it should always leave reminders of what once was.

Mike Sapp

Also there is a discussion on Carmel City Councilor's Rick Sharp's Facebook page.

Wednesday, January 4, 2012

Carmel Grain Elevator

Carmel Grain Elevator, 2009 (Made with a Holga)

Tuesday, January 3, 2012

2 Photographers Works In Progress Exhibit Is Open

Artists' Reception this coming First Friday, January 6, 2011 at Midland Arts and Antiques Market.  For more information go to the 2 Photographers Works In Progress Website.

Photograph by Satch